1950 - 1959
Director | Country | Scenario | time | ||||
++ | A Bout de Souffle / Breathless | 1959 | Jean-Luc Godard | FR | Godard/Truffaut | 87' | |
+ | Ben Hur | 1959 | Sergio Leone | ||||
++ | Charlotte et Véronique, ou Tous les garçons s'appellent Patrick | 1959 | Jean-Luc Godard | FR | Eric Rohmer | 21' | |
+ | Darby O'Gill and the Little People | 1959 | Robert Stevenson | USA | |||
++ | Déjeuner sur l'herbe | 1959 | Jean Renoir | FR | Renoir | 91' | |
++ | Fièvre monte à El Pao, La | 1959 | Luis Buñuel | FR-MEX | Alcoriza/Buñuel |
109' | |
++++ | Floating Weeds | 1959 | Yasujiro Ozu | JP | |||
++++ | Hiroshima mon amour | 1959 | Alain Resnais | FR-JP | Marguerite Duras |
90' | |
+ | J'irai cracher sur vos tombes | 1959 | Michel Gast |
FR | Vian/Dopagne/Gast | 100' | |
++ | Journey to the center of the Earth | 1959 | Henry Levin | USA | |||
+++ | Kagi / Odd Obsession | 1959 | Kon Ichikawa |
JP | Hasebe/Ichikawa | 107' | |
++ | Liaisons dangereuses, Les | 1959 | Roger Vadim | FR-I | Choderlos de Laclos/Brulé | 106' | |
+++ | North by North West | 1959 | Alfred Hitchcock | USA | Ernest Lehman | 136' | |
++++ | Ohayô / Good Morning | 1959 | Yasujiro Ozu |
JP | Noda/Ozu |
97' | |
++ | Orfeu Negro | 1959 | Marcel Camus | BRA-FR-I | Vinicius De Moraes/Camus/Viot | 100' | |
+++ | Pickpocket | 1959 | Robert Bresson | FR | Bresson | 75' | |
++++ | Quatre Cents Coups, Les / The 400 Blows | 1959 | François Truffaut | FR | Truffaut | 94' | |
0 | Rio Bravo | 1959 | Howard Hawks | USA | |||
+ | Sleeping Beauty | 1959 | Walt Disney | USA | Banta/Hibler |
75' | |
++ | Suddenly, Last Summer | 1959 | Mankiewicz |
USA | Tennessee Williams | 114' | |
+ | Vache et le prisonnier, La | 1959 | Henri Verneuil |
FR | Antoine/Jeanson |
118' | |
++++ | The World of Apu / Apur Sansar | 1959 | Satyajit Ray | IND | Bandyopadhyay/Ray | ||
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
++++ | Le Chant du Styrène | 1958 | Alain Resnais | FR | DOC Resnais | 19' | |
+++ | Equinox Flower | 1958 | Yasujiro Ozu | JP | Noda/Ozu | 120' | |
+++ | Face, The / The Magician / Ansiktet | 1958 | Ingmar Bergman | SWE | Bergman | 100' | |
+++ | Farewell / Pozegnania | 1958 | Wojciech Has | POL | Stanislaw Dygat / Has |
105' | |
++++ | The Hidden Fortress | 1958 | Akira Kurosawa | JP | Hashimoto/Kikushima/Kurosawa/Oguni |
139' | |
++++ | Ivan the Terrible, Part II: The Boyars' Plot | 1958 | Eisenstein / Filimonova |
RUS | Eisenstein | 88' | |
+++ | Mon Oncle | 1958 | Jacques Tati | FR | Tati | ||
+++ | Les Mistons | 1958 | François Truffaut | FR | Truffaut | 23' | |
++++ | The Music Room / Jalsaghar | 1958 | Satyajit Ray | IND | Tarashankar Banerjee/Ray | 100' | |
+++ | Shadows | 1958 | John Cassavetes | USA | |||
++ | So Close to Life / Nära livet | 1958 | Ingmar Bergman | SWE | Ulla Isaksson | 84' | |
+++ | Summer Clouds | 1958 | Mikio Naruse | JP | Hashimoto | 128' | |
++ | Touch of Evil |
1958 | Orson Welles | USA | Masterson/Welles |
112' | |
++++ | Vertigo | 1958 | Alfred Hitchcock | UK | |||
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
++++ | 12 Angry Men | 1957 | Sidney Lumet |
USA | Reginald Rose | 96' | |
+++ | Aparajito | 1957 | Satyajit Ray |
IND | Bandyopadhyay/Ray | 127' | |
++ | Assassins et Voleurs | 1957 | Sacha Guitry |
FR | Guitry |
85' | |
+++ | Bridge of The River Kwai, The | 1957 | David Lean | UK | Pierre Boulle | 161' | |
++++ | Cranes Are Flying, The / Quand passent les Cigognes / Letjat zhuravli | 1957 | Mikhail Kalatozov | RUS | Viktor Rozov | 97' | |
+++ | Funny Face | 1957 | Stanley Donen | USA | |||
+++ | Il Grido | 1957 | Michelangelo Antonioni | I-USA | Antonioni/Bartolini | 116' | |
+++ | Kanal | 1957 | Andrzej Wajda |
POL | Stawinski | 95' | |
++ | Love in the afternoon | 1957 | Billy Wilder | USA | Claude Anet | 130' | |
+++ | Lower Depths, The | 1957 | Akira Kurosawa |
JP | Gorky/Kurosawa | 137' | |
++ | Mother India / Bharat Mata | 1957 | Mehboob Khan |
IND | Mirza/Raza | 172' | |
+++ | Notte di Cabiria, Le | 1957 | Federico Fellini | I | Fellini | ||
++++ | Paths of Glory | 1957 | Stanley Kubrick |
USA | Cobb/Kubrick | 87' | |
+++ | Pot-Bouille | 1957 | Julien Duvivier | FR-I | Émile Zola/Duvivier | 115' | |
++++ | Seven Samourai / Shichinin no samurai | 1957 | Akira Kurosawa |
JP | Hashimoto/Kurosawa |
206' | |
+++ | Seventh Seal, The / Det Sjunde inseglet | 1957 | Ingmar Bergman |
SWE | Bergman |
96' | |
++++ | Throne of Blood / Kumonosu jo / Le Château de l'Araignée | 1957 | Akira Kurosawa | JAP | Hashimoto/Kikushima |
105' | |
+++ | Tokyo Twilight / Tokyo boshoku / Crepuscule à Tokyo | 1957 | Yasujiro Ozu |
Noda/Ozu | 141' | ||
++++ | Wild Strawberries / Smultronstället | 1957 | Ingmar Bergman |
SWE | Bergman |
91' | |
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
++++ | Condamné à Mort s'est échappé, Un / Le Vent Souffle Où Il Veut | 1956 | Robert Bresson | FR | André Devigny/Bresson |
99' | |
+++ | Coup du Berger, Le / Fool's Mate | 1956 | Jacques Rivette | FR | Bitsch/Rivette | 28' | |
? | Crime et Châtiments | 1956 | Georges Lampin | FR | |||
? | Elena et les Hommes | 1956 | Jean Renoir | FR | |||
++ | Killing, The | 1956 | Stanley Kubrick |
USA | Kubrick | 85' | |
+++ | Michel Strogoff | 1956 | Carmine Gallone | FR-GER-I-Y | Sauvajon | 111' | |
++ | Moby Dick | 1956 | John Huston | USA | Herman Melville/Bradbury | 116' | |
+++ | Monde du silence, Le (DOC) | 1956 | Jacques-Yves Cousteau/Louis Malle |
FR-I | Cousteau | 86' | |
? | Mystère Picasso, Le | 1956 | Henri-Georges Clouzot | FR | |||
++ | Nihonbashi | 1956 | Kon Ichikawa | JP | Kyoka Izumi/Wada | 112' | |
? | Notre Dame de Paris | 1956 | Jean Delannoy |
FR-I | Hugo/Aurenche | 115' | |
++ | Soshun / Early Spring | 1956 | Yasujiro Ozu | JP | Noda/Ozu | 144' | |
0 | Ten Commandments, The | 1956 | Cecil B. DeMille | USA | |||
+++ | Toute La Mémoire du Monde | 1956 | Alain Resnais | FR | Rémo Forlani | 21' | |
0 | Traversée de Paris, La | 1956 | Claude Autant-Lara |
FR-I | Marcel Aymé | 80' | |
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
+++ | Bob le Flambeur | 1955 | Jean-Pierre Melville |
FR | Le Breton/Melville | 98' | |
+++ | Dreams / Rêves de Femmes / Journey Into Autumn | 1955 | Ingmar Bergman | SWE | Bergman | 87' | |
+++ | Esseyo de un crimen / The Criminal Life of Archibald de la Cruz | 1955 | Luis Buñuel | MEX | Buñuel/Ugarte/Usigli |
89' | |
+++ | Floating Clouds / Ukigumo | 1955 | Mikio Naruse | JP | Fumiko Hayashi/Mizuki |
123' | |
++ | Killer's Kiss | 1955 | Stanley Kubrick | USA | Kubrick | 67' | |
++ | Kiss Me Deadly | 1955 | Robert Aldrich | USA | Mickey Spillane | 106' | |
++++ | Les Maîtres fous | 1955 | Jean Rouch | FR | DOC | 36' | |
++ | Mr. Arkadin / Confidential Report | 1955 | Orson Welles | FR-SP-SWZ | Welles | 93' | |
++ | Night of the Hunter, The | 1955 | Charles Laughton |
USA | James Agee/Davis Grubb | 93' | |
+++ | Ordet | 1955 | Carl Theodor Dreyer | DEN | Kaj Munk/Dreyer | 126' | |
++++ | Pather Panchali | 1955 | Satyajit Ray |
IND | Bandyopadhyay/Ray | 115' | |
++ | Rebel Without a Cause | 1955 | Nicholas Ray |
USA | Ray/Shulman | 111' | |
+++ | Smiles of a summer night | 1955 | Ingmar Bergman | SWE | Bergman | 108' | |
++ | Seven Year Itch, The | 1955 | Billy Wilder |
USA | George Axelrod/Wilder | 105' | |
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
0 | Ah! Les belles bacchantes | 1954 | Jean Loubignac |
FR-I | |||
++ | Abismos de pasión / Wuthering Heights / Les Hauts De Hurlevent | 1954 | Luis Buñuel | MEX | Emily Brontë/Buñuel | 91' | |
? | Air de Paris, L' | 1954 | Marcel Carné |
FR-I | |||
0 | Ali-Baba et les quarante voleurs | 1954 | Jacques Becker |
FR | Becker/Griffe | 92' | |
+++ | Dial M For Murder (3D) | 1954 | Alfred Hitchcock | USA | |||
++++ | Huis clos |
1954 | Jacqueline Audry |
FR | Jean-Paul Sartre/Laroche | ||
+++ | Lesson in Love, A / Une Leçon d'Amour | 1954 | Ingmar Bergman | SWE | Bergman | 96' | |
+ | Lettres de mon moulin, Les | 1954 | Marcel Pagnol |
FR | Alphonse Daudet | ||
0 | Mouton à cinq pattes, Le | 1954 | Henri Verneuil |
FR | Barjavel/Manse | 100' | |
+++ | On The Waterfront | 1954 | Elia Kazan | USA | Johnson/Schulberg | 108' | |
0 | Papa, maman, la bonne et moi | Jean-Paul Le Chanois |
FR | Marcel Aymé |
|||
++++ | Rear Window | 1954 | Alfred Hitchcock | USA | Hayes/ Woolrich | 112' | |
Rouge et le noir, Le | 1954 | Claude Autant-Lara |
FR-I | ||||
++ | Sabrina | 1954 | Billy Wilder | USA | Wilder | 113' | |
+++ | Sleeping Tiger, The | 1954 | Joseph Losey |
UK | Moisiewitsch | 89' | |
++ | Strada, La | 1954 | Federico Fellini |
I | Fellini/Flaiano | 104' | |
++ | Touchez pas au Grisbi | Jacques Becker | FR | ||||
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
+++ | Band Wagon, The | 1953 | Vincente Minnelli |
USA | Comden/Green | 111' | |
++ | Big Heat, The | 1953 | Fritz Lang | USA | Boehm/McGivern | 89' | |
+++ | Madame de ... | 1953 | Max Ophüls |
FR-I | Louise de Vilmorin/Achard | 105' | |
+++ | Monika |
1953 | Ingmar Bergman | SWE | Bergman/Fogelström |
96' | |
+ | Peter Pan | 1953 | Walt Disney | USA | |||
++ | La Red / Rosanna | 1953 | Emilio Fernández | MEX | Beltrán/Fernández | 83' | |
+++ | Roman Holiday | 1953 | William Wyler | USA | Trumbo/Hunter | 117' | |
+++ | Salaire de la Peur, Le / Wages of Fear | 1953 | Henri-Georges Clouzot | FR-I | |||
++ | Siamo donne / We the women | 1953 | Luchino Visconti | I | |||
++++ | Les statues meurent aussi | 1953 | Chris Marker/Alain Resnais | FR | Marker | 30' | |
++++ | Tokyo Story | 1953 | Yasujiro Ozu | JP | Noda/Ozu |
136' | |
++ | Ugetsu monogatari / Les Contes de La Lune Vague après la Pluie | 1953 | Kenji Mizoguchi | JP | Kawaguchi/Ueda | 94' | |
+++ | Vacances de Mr. Hulot, Les | 1953 | Jacques Tati | FR | |||
+++ | Viaggio in Italia / Voyage in Italy | 1953 | Roberto Rossellini | I-FR | Rossellini/Brancati | 75' | |
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
++ | Belles de nuit, Les | 1952 | René Clair |
FR-I | Clair |
87' | |
+++ | El / This Strange Passion | 1952 | Luis Buñuel |
MEX | Mercedes Pinto/Buñuel | 100' | |
0 | Fanfan la Tulipe | 1952 | Christian-Jaque |
FR-I | Wheeler/Fallet | 102' | |
++++ | Flavor of Green Tea Over Rice | 1952 | Yasujiro Ozu |
JP | Noda/Ozu | 115' | |
+++ | Le Grand Mélies | 1952 | Georges Franju | FR | Franju | 30' | |
+ | Greatest Show on Earth, The | 1952 | Cecil B. DeMille | USA | |||
++ | High Noon / Le Train sifflera trois fois | 1952 | Fred Zinnemann | USA | |||
+ | Ivanhoe | Richard Thorpe | USA | 110' | |||
+++ | Jeux Interdits / Forbidden Games | 1952 | René Clément | FR | Aurenche/Bost | 102' | |
+++ | Limelight | 1952 | Charles Chaplin | USA | Chaplin | 142' | |
+++ | Oharu / Saikaku ichidai onna | 1952 | Kenji Mizoguchi |
JP | Saikaku Ihara/Mizoguchi | 148' | |
+ | Pat and Mike | 1952 | George Cukor |
USA | Gordon/Kanin |
95' | |
++ | Petit monde de Don Camillo, Le | 1952 | Julien Duvivier |
FR-I | Giovanni Guareschi/Duvivier | 107' | |
+++ | Plaisir, Le | 1952 | Max Ophüls |
FR | Natanson/Ophüls |
93' | |
+ | Poil de Carotte | 1952 | Paul Mesnier |
FR | Jules Renard/Mesnier | 100 | |
0 | Rancho Notorious / Chuck-a-Luck | 1952 | Fritz Lang | USA | Silvia Richards/Taradash | 89' | |
+++ | Singin in the Rain | 1952 | Stanley Donen / Gene
Kelly |
USA | Comden/Green | 103' | |
0 | Trou normand, Le | 1952 | Jean Boyer |
FR | Arlette De Pitray |
85' | |
++++ | Umberto D. | 1952 | Vittorio De Sica | I | Cesare Zavattini | 91' | |
+++ | La Villa Santo-Sospir | 1952 | Jean Cocteau | FR | DOC | 36' | |
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
+ | Auberge Rouge, L' | 1951 | Claude Autant-Lara | FR | 102' | ||
++ | Belissima | 1951 | Luchino Visconti |
I | 115' | ||
0 | Chèvre de Monsieur Seguin, La | 1951 | François Gir | FR | 19' | ||
++++ | Early Summer / Bakushu | 1951 | Yasujiro Ozu |
JP | Noda/Ozu | 135' | |
++ | Le Film est déjà commencé? | 1951 | Maurice Lemaître | FR | Lemaître | 62' | |
++++ | Journal d'un curé de campagne | 1951 | Robert Bresson | FR | |||
+++ | M | 1951 | Josef Losey | USA | |||
++ | Miracle à Milan | 1951 | Vittorio De Sica | I | Cesare Zavattini | 92' | |
+++ | Poison, La | 1951 | Sacha Guitry |
FR | Guitry |
||
++ | River, The | 1951 | Jean Renoir | USA-FR-IND | Rumer Godden/Renoir | 99' | |
++ | Strangers on a Train | 1951 | Alfred Hitchcock |
USA | Raymond Chandler/Cook | 103' | |
+++ | Streetcar Named Desire, A | 1951 | Elia Kazan |
USA | Tennessee Williams/Saul | 122' | |
++ | Susana | 1951 | Luis Buñuel | MX | Manuel Reachi/Buñuel | 86' | |
++ | Topaze | 1951 | Marcel Pagnol |
FR | Pagnol | 136' | |
Director | Country | Scenario | time |
Director | Country | Scenario | time | ||||
+++ | All About Eve | 1950 | Joseph L. Mankiewicz |
USA | Mankiewicz |
138' | |
+++ | Enfants Terribles, Les | 1950 | Jean-Pierre Melville/Cocteau | FR | Cocteau | ||
+++ | Francesco, giullare di Dio / The Flowers of St. Francis | 1950 | Roberto Rossellini | I | Fellini/Lisandrini/Morión/Rossellini |
75' | |
+++ | Olvidados, Los | 1950 | Luis Buñuel |
MEX | Alcoriza/Buñuel |
85' | |
++++ | Rashômon | 1950 | Akira Kurosawa |
JP | Akutagawa/Kurosawa | 88' | |
? | Rio Grande | 1950 | John Ford | USA | |||
+++ | Ronde, La / Roundabout | 1950 | Max Ophüls |
FR | Natanson/Ophüls |
95' | |
+++ | Sunset Blvd. | 1950 | Billy Wilder | USA | Brackett/Wilder | 110' | |
++ | Un chant d'amour | 1950 | Jean Genet | FR | Genet | 26' | |
+++ | To Joy | 1950 | Igmar Bergman | SWE | Bergman | 98' | |
Director | Country | Scenario | time |
75