Journal of Arts Management, Law and Society
vol. 33 (4), winter 2004

  This issue is dedicated to the institutionalisation processes in the visual and performing arts from a historical and a political point of view. The articles present case studies on different themes: models for corporate philanthropy, the institutionalisation of standards for art materials and techniques, the place of national identity in recognition processes, and the emergence of new artistic genres. 

Of special interest is the article by Shapiro on the development of hip-hop dance as new art practice in France and how this art form, that originated in the USA, was transformed and adapted to French culture.

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