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The opening article discusses the free access to museums policy of the British Government, and proposes a new finance model that combines public and private sources. The other articles: Ordanini analyses the two main approaches for artists' selection in the recording industry, comparing choices made by majors and by independent labels; Ravid et al. discuss the impact of critics on audience choices of movies and how critics exhibit a statistical bias towards specific studios; Akdede/King investigate audience and attendance of state theatres in Turkey. Of special interest among the three book reviews: Herold presents a collection of essays on cultural diversity protection and international trade liberalisation, focusing on the audiovisual industry and taking an economic perspective instead of a legal one. To view the publisher's online table of contents with abstracts and full text versions of the articles, please click on this external link. |
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Contents |
page |
Optimal pricing and grant policies for museums |
169-181 |
Juan Prieto-Rodríguez, Víctor Fernández-Blanco |
|
Selection models in the music industry: How a prior independent experience may affect chart success | 183-200 |
Andrea Ordanini | |
Distributors and film critics: does it take two to Tango? | 201-218 |
S. Abraham Ravid, John K. Wald, Suman Basuroy | |
Demand for and productivity analysis of Turkish public theater | 219-231 |
Sacit Hadi Akdede, John T. King | |
Book Reviews |
|
Cultural Diversity and International Economic Integration: The Global Governance of the Audio-Visual Sector | 233-235 |
Anna Herold | |
Understanding International Art Markets and Management | 237-238 |
Silvia Bagdadli | |
A Concise Handbook of Movie Industry Economics | 239-241 |
Chris Hand |
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