SCREENVILLE | DEJA
VU | 2000 | 1990 | 1980
| 1970 | 1960 | 1950
| 1940 | 1930 | TO
SEE 1940 - 1949
 |
Director | Country | Scenario | time | |||
| ++ | Arlésienne, L' | 1942 | Marc Allégret |
FR | |||
| ++ | Arsenic and Old Lace | 1944 | Frank Capra |
UK | |||
| ++ | Assassin habite... au 21, L' | 1942 | Henri-Georges Clouzot |
FR | |||
| ++++ | |
At Land | 1944 | Maya Deren | USA | 15' | |
| +++ | Bambi | 1942 | Walt Disney | USA | |||
| ++++ | La Belle et La Bête | 1946 | Jean Cocteau | FR | |||
| ++ | Berlin Express | 1948 | Tourneur | UK | |||
| +++ | Big Sleep, The | 1946 | Howard Hawks |
USA | Raymond Chandler/Faulkner | 114' | |
| + | Black Narcissus | 1948 | Powell & Pressburger |
UK | Rumer Godden/P&P | 100' | |
| +++ | Casablanca |
1942 | Michael Curtiz |
USA | Burnett/Alison | 102' | |
| ++++ | |
Citizen Kane | 1941 | Orson Welles | USA | Mankiewicz/Welles |
119' |
| +++ | Dames du bois de Boulogne, Les | 1945 | Robert Bresson | FR | Diderot/Bresson | 84' | |
| ++++ | Day of Wrath | 1943 | Carl Theodor Dreyer | DEN | Dreyer/Knudsen | 110' | |
| ++ | Diable Au Corps, Le | 1946 | Claude Autant-Lara | UK-FR | Raymond Radiguet/Aurenche | 110' | |
| + | Dumbo | 1941 | Walt Disney | USA | |||
| ++ | The Education for Death - The Making of the Nazi | 1943 | Geronimi | USA | 10' | ||
| ++++ | |
Enfants du Paradis, Les | 1945 | Marcel Carné |
FR | Jacques Prévert | 190' |
| ++++ | Fantasia | 1940 | Walt Disney | USA | |||
| ++ | Fille du puisatier, La | 1941 | Marcel Pagnol |
FR | Pagnol |
170' | |
| ++ | Fontaine d'Aréthuse, La / Törst | 1949 | Igmar Bergman | SWE |
Birgit Tengroth/Grevenius | 83' | |
| 0 | My Friend Flicka | 1943 | Harold D. Schuster |
USA | Faragoh/Hayward |
89' | |
| ++++ | Germannia ano zero / Germany year zero | 1947 | Roberto Rosselini | I-GER-FR | 78' | ||
| ++ | Gilda | 1946 | Charles Vidor |
USA | Eisinger/Ellington | 110' | |
| ++++ | |
Great Dictator, The | 1940 | Charles Chaplin | USA | Chaplin | 124' |
| ++ | Heaven Can Wait | 1943 | Ernst Lubitsch | USA | Leslie Bush-Fekete | 112' | |
| ++ | Hellzapoppin | 1941 | H.C. Potter |
USA | Nat Perrin/Wilson | 84' | |
| +++ | High Sierra / La Grande Evasion | 1941 | Raoul Walsh |
USA | |||
| +++ | It Happened Tomorrow / C'est arrive demain | 1944 | René Clair | USA | |||
| +++ | Ivan The Terrible - Part I | 1945 | Sergei M. Eisenstein |
RUS | Eisenstein | 95' | |
| +++ | Jour de Fête | 1949 | Jacques Tati | FR | Tati | 80' | |
| ++ | Kris / Crisis | 1946 | Igmar Bergman | SWE | Bergman | 93' | |
| ++++ | |
Ladri di biciclette / The Bicycle Thief | 1948 | Vittorio De Sica |
I | Luigi Bartolini/Zavattini | 93' |
| +++ | Lady from Shanghai, The | 1947 | Orson Welles | USA | Sherwood King/Welles |
87' | |
| ++++ | Letter from an Unknown Woman | 1948 | Max Ophüls |
USA | Koch/Ophüls | 86' |
|
| +++ | Life of Wu Xun, The / Wuxunchan | 1949 | Sun Yu | CHI | 200' | ||
| +++ | Magnificent Ambersons, The | 1945 | Orson Welles | USA | Booth Tarkington/Welles | 88' | |
| +++ | Maltese Falcon, The | 1941 | John Huston |
USA | Dashiell Hammett/Huston |
101' | |
| +++ | Meditation on Violence | 1948 | Maya Deren | USA | Maya Deren | 12' | |
| ++++ | |
Meshes of the afternoon | 1943 | Maya Deren | USA | Maya Deren | 18' |
| ++ | Music in Darkness | 1947 | Igmar Bergman | SWE | |||
| ++ | Notorious | 1946 | Alfred Hitchcock | USA | Ben Hecht | 101' | |
| + | La Nuit Fantastique | 1942 | Marcel L'Herbier | FR | Chavanne/Henry/Jeanson/L'Herbier | 103' | |
| ++ | Oliver Twist | 1948 | David Lean | UK | |||
| ++++ | Paisà | 1946 | Roberto Rossellini | I | Fellini/Rossellini | 120' | |
| ++ | Panique | 1946 | Julien Duvivier | FR | Simenon/Duvivier | 91' | |
| +++ | Parents Terribles, Les | 1948 | Jean Cocteau | FR | Cocteau | 105' | |
| ++ | Pinocchio |
1940 | Walt Disney | USA | |||
| ++ | Port of Call / Hamnstad | 1948 | Igmar Bergman | SWE | Olle Länsberg/Bergman | 100' | |
| ? | Postman Always Rings Twice, The | 1946 | Tay Garnett | USA | |||
| +++ | Prison / Fängelse | 1949 | Igmar Bergman | SWE | Bergman | 98' | |
| +++ | Quai des Orfèvres | 1947 | Henri-Georges Clouzot |
FR | Clouzot/Ferry |
102' | |
| ++ | Rebecca | 1940 | Alfred Hitchcock | UK | |||
| +++ | Record of a Tenement Gentleman, The | 1947 | Yasujiro Ozu |
JP | Ikeda/Ozu | 72' | |
| ++ | Red Shoes | 1948 | Powell&Pressburger | UK | Andersen | 133' | |
| ++ | Remorques | 1941 | Jean Grémillon | FR | Roger Vercel | 81' | |
| +++ | Ritual in Transfigured Time | 1946 | Maya Deren | USA | 15' | ||
| +++ | Rome Open City / Roma, città aperta | 1945 | Roberto Rossellini |
I | Amidei/Fellini |
100' |
|
| 0 | Samson and Delilah | 1949 | Cecil B. DeMille | USA | |||
| +++ | Le Sang des bêtes | 1949 | Georges Franju | FR | DOC | 20' | |
| ++ | Ship Bound for India, A | 1947 | Igmar Bergman | SWE | Bergman | ||
| ++ | Spellbound | 1945 | Alfred Hitchcock |
USA | Francis Beeding | 111' | |
| ++ | Spring in a Small Town | 1948 | Fei Mu | CHI | Li |
85' | |
| + | The Stranger | 1946 | Orson Welles | USA | Victor Trivas | 95' | |
| ++ | Stromboli | 1949 | Roberto Rossellini |
I | Rossellini | 107' | |
| +++ | A Study in Choreography for Camera | 1945 | Maya Deren | USA | 4' | ||
| +++ | Sugata Sanshiro | 1943 | Akira Kurosawa | JP | Kurosawa | 80' | |
| +++ | Suspicion | 1941 | Alfred Hitchcock | UK | |||
| ++ | Symphonie fantastique, La | 1942 | Christian-Jacque |
FR | |||
| ++ | Tempestaire, Le | 1947 | Jean Epstein | FR | Epstein | 25' | |
| +++ | Terra trema: Episodio del mare, La | 1948 | Luchino Visconti | I | Visconti | 165' | |
| ++++ | There was a father / Chichi ariki | 1942 | Yasujiro Ozu | JP | Ozu/Ikeda | 94' | |
| +++ | Third Man, The | 1949 | Carol Reed | UK | Greene/Korda | 104' | |
| +++ | To Have and Have Not / Le Port de l'Angoisse | 1944 | Howard Hawks |
USA | Ernest Hemingway/Furthman | 100' | |
| +++ | The Very Eye of Night | 1958 | Maya Deren | USA | Maya Deren | 15' | |
| ++ | Woman's Face, A | 1941 | Georges Cukor | USA | Francis de Croisset | 106' | |
| Director | Country | Scenario | time |